Short answer: yes, you can mix them, and the rule is to run the small batteries first and save the most reliable one for last. An original LP-E17 is rated around 1040mAh and each 750mAh battery holds roughly seven tenths of that, so the trio adds up to about two and a half times an original battery, enough for most full days. What needs planning is not whether mixing works but which battery goes in when, because the moment of the swap affects the shooting rhythm more than the battery does.
Mixing works because the voltage spec of the LP-E17 is fixed. The camera body identifies a battery by voltage and communication, not by capacity, so all three are equals inside the body. The only difference is how long each one lasts.
Why run the small batteries first
Two reasons. First, lithium-ion batteries self-discharge, and the longer a full battery sits the less usable charge remains. A small battery can only contribute so much absolute energy whenever you use it, so using it early compresses the window in which that loss happens. Second, the second half of a shoot is when energy and attention are lowest, which is exactly when you want a battery you can fit and forget. Saving the largest battery for that slot makes more sense.
The reverse order, original first and small batteries last, is not wrong; it simply adds a swap at the end of the day, usually while you are packing up, moving between locations or losing light. The value of a schedule is that it moves those actions to moments where they cost nothing.
A rotation table you can copy
| Stage | Battery in use | Reason |
|---|---|---|
| Departure to the first break | 750mAh (A) | Best energy and densest shooting, which a small battery can still cover |
| Mid-session main shooting | 750mAh (B) | Keeps the rhythm; swap when spent without breaking the thread |
| Wrap-up and the journey back | Original LP-E17 | Largest reserve for an unexpected last sequence |
This order is not a rule. If your day is front-light and back-heavy, with a slow morning and a concentrated afternoon, put the original in the afternoon and let the two 750mAh batteries cover the morning. The question is always which block of the day cannot be interrupted, and the best battery goes there.
It also pays to number or label the three batteries. The usual failure in a mixed set is not charge but memory: you cannot tell which one is full. A marker pen on the back, or three colors of tape, costs nothing and removes the guesswork.
Four things to watch when mixing
- Charge one at a time, never in a mixed batch. The LC-E17 is a single-bay dock charger, one battery at a time, which removes the problem by design. If you use a third-party multi-bay charger, make sure each bay is managed independently and do not treat batteries of different capacity and different remaining charge as one group.
- Do not top up for ten minutes and drop the battery back in the bag. The common bad habit is a short charge after a shoot, then assuming the battery is full next time. Either charge it fully or label it clearly as half full.
- Avoid storing batteries fully charged or fully flat. Four to six tenths is better for long storage; the same principle applies to both capacities and is covered in the 950mAh storage notes.
- In cold weather, give short tasks to the small battery. Cold cuts usable capacity on every battery, and small batteries feel it more. Outdoors in winter, keep spares in an inside pocket and fit them only when you rotate.
One point that gets missed: do not drop a just-removed battery into a pocket with keys and coins. A short across the contacts is unlikely, but the consequences are not trivial. The original box or a battery case with dividers is the cheapest prevention.
When not to mix
If the camera is covering work that cannot be repeated, such as a wedding, an interview or the main angle on a commercial set, standardize on larger and more consistent batteries and remove variables. The cost of mixing is not risk but uncertainty: you have to remember which battery is which and how long each has been in service, and that is extra cognitive load under pressure.
For travel, street work and family records, where an interruption is survivable, mixing has almost no downside and lowers the cost. That is exactly where the 750mAh battery earns its place: it is cheap enough to buy a couple of spares so you never have to choose between saving power and shooting more. To move the configuration up a tier, see the combinations in the capacity and compatibility guide.
FAQ
Does mixing original and third-party batteries damage the camera body?
No. The body only cares that the voltage is within range and that communication works. The practical effect of mixing is that each battery lasts a different length of time, which has nothing to do with safety. The premise is a battery from a legitimate source with a working protection board.
Should three batteries be rotated?
Yes. Using one battery constantly while two sit idle ages the idle pair faster, while using a single battery forever pushes its cycle count far above the others. Keeping the three cycle counts roughly even gives a longer working life overall.
How can I tell quickly whether a battery is full?
Fit it in the body and read the gauge, which is the most direct method; the bodies that take the LP-E17 generally show segmented bars. With no body to hand, charge it fully on the dock before storing it and mark the battery, which is more reliable than memory.
Are two 750mAh batteries plus one original enough for a day out?
In most cases yes. The combined capacity works out at about two and a half times an original battery, which usually covers a day of stills and moderate bursts. For all-day 4K recording or heavy bursts, add a battery or make the 950mAh your primary.